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A Guitarist's Guide to Better Practicing

Having a regular and effective practice routine is a necessary part of making good progress on any musical instrument. Some people think you have to play for hours a day, but as little as 30 minutes a day of well thought out practice is enough to make satisfying progress in the first few years of playing. Most of us have jobs, families, and other commitments, so playing for hours at a time is not usually possible. That's okay because the quality of the practice is more important than the quantity. Let's look at some basic strategies to get the most out of a practice session.

Set aside a designated amount of time for each practice session, and stick to it for that amount of time. This can be half an hour, twenty minutes, an hour, or whatever you have time for. Figure out a block of time and then practice for that amount. Don't give in to distractions like getting up check email, snacking, or calling a friend. Make the most of your given time.

Establish some short, medium, and long-term goals. This can help you decide what to work on for each practice session. For example, say you want to learn to play House of the Rising Sun. You can't switch between all the chords smoothly, and you haven't even attempted to tackle the barred F chord. Plus the thought of even trying play this song for others makes you a nervous wreck. Learning the entire song and playing it for others could be a long-term goal. Working on the barred F chord and barre chords in general could be a medium term goal, as they can take a while to become second nature. And smoothing out the chord transitions can be a short-term goal. Dedicate part or all of a practice session to identifying chord changes that give you problems, and work through them slowly till the kinks are ironed out.

Make sure your practice space is comfortable, has everything you need, and is out of the way of other people. If permitted, tell friends and family you are practicing and not to be disturbed. If you play sitting down, get a chair that is comfortable for holding a guitar. Are picks, capos, strings, slides, tuners, metronomes, and whatever else you may need in easy reach? If you are reading music off paper, it's worth it to invest in a music stand. It will result in much better playing posture than putting the sheet music flat down on a table or on the floor.

Make sure your guitar is in tune before starting, and take note of when you might have to change your strings next. Being in tune and producing a good tone are both important components of a successful practice session. If you play regularly normal guitar strings should be changed every two to three months, or even more often if you are stickler for ideal tone quality. Coated guitar strings can last even longer.

It's also a good idea to decide how you are going to divide your practice time. You might want to spend a few minutes on rhythm, a few on scales, and a few learning songs. Don't let any one part of your playing get neglected for too long. Each aspect of musical development needs to be practiced regularly. If, for example, you practice fingerstyle most of the time, you might lose your ability to use a pick. So if you want both skills in the long run, give them both some attention each time you play.

Finally, make sure you are in a good state of mind. If you are just going through the motions and not pushing yourself or listening carefully, you won't progress very quickly. It's very important to focus and find areas that are just out of your reach to repeat and drill. That is when learning is the most fun and satisfying. If it's too hard or too easy, it won't engage your mind.

Efficient and productive use of practice time is one of the keys to making regular and steady progress on any musical instrument. Evaluate where you are, where you want to be, and put together a practice routine to get you there. Then, make sure you stick with it for best success.

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Jennifer Martin is CEO of http://www.RhythmStrummer.com. Her site offers easy guitar lessons for adult learners in a fun atmosphere with NO advertising.
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How To Seriously Improve Your Guitar Playing

By Chris Standring


There are bedroom guitar players and there are live performers. There doesn't seem to be anything in between. The minute you walk on to a stage (whether you get paid or not) you are a professional. You are in the business of entertaining and displaying your wares, so to speak. And if you really want to seriously get your guitar playing together it is the latter you need to strive for in my opinion. I am not suggesting you 'turn pro', you know attempt to do this thing full time, that is a whole other set of issues itself, but in order for your guitar playing to really get to where it needs to get to, you simply have to play in a live performance setting, preferably in a public forum. Ideally with other musicians you can interact with.

You can spend a lifetime reading books, studying your musical heroes, playing along to music minus one records, but none of this will ultimately give you the full picture. In order to be a true well rounded musician, you have to have real world experience. I'll try to explain why...

When I was just starting out in the profession as a fresh untainted fish in the vast sea of the London music business, I had to get myself known in order to find work. So I set about to answer ads in music papers. Now, after studying classical guitar at the London College of Music, I came out of a 3 year course with a facility to sight-read. Or should I say the beginnings of sight-reading ability, as jazz and pop music written on paper is a whole other world, as I was about to find out. I remember having to sight-read a piece of jazz music with a dance band at an audition. There were about 10 guitar players going for this gig. I must have been about 23 years old. The musical director said "I kind of like what you did Chris but you didn't really cut it mate! There are other guys here that have what I need". Ouch!!! That hurt. But I was young. It was actually good to hear. So I went back to my music library, pulled out a ton of violin music and practiced reading in different positions on the fretboard. Not to mention learning how to grab chords on sight in different fret positions.

Another time, I went down to audition for the National Youth Jazz Orchestra, a band known to be extremely taxing musically, and a training ground for London session players. I sat in the guitar chair with my Gibson 335 on my lap, ready to play. The director called a chart, I placed it on the stand and he counted it off. He counted it off around 250 BPM. Frighteningly fast! Well, it was all I could do to get my eyes to follow the music, measure by measure, much less play the music that was written within those bars! I didn't even touch my guitar that rehearsal. I simply placed it back in its case and went home. Ouch again! That was a hard knock! I gave myself exactly a year to get it together. I went back to my practicing with a vengeance. A year later I joined the band for about a year and a half.

Another for instance; about 13 years ago I was playing with a jazz singer in a trio situation with an eminent LA drummer and acoustic bassist. I hadn't done much trio playing, if any at the time, but I was looking forward to playing. At the end of one of the songs I completely messed up the ending. In fact I would go further, I hadn't really worked on any song endings. Didn't really have that together at all. The drummer scowled at me, particularly because I threw him off, as I was not definite in how I wanted to end the song (because I didn't know myself!). He was furious when I made him look bad. He said to me "Dude, you've got to dictate these endings, you're the one playing the chords!". He was right. I was crushed! I went home, sulked for a week (maybe two). Then I went back to my practice room. I was not to be defeated.....

These are the hard knocks you simply have to get in your music life to dictate what you need to work on to get your total musicianship together! You just cannot expect to perfect your instrument without real world experience. You can't get that experience any other way. I can recount tons of times that this sort of thing has happened, and there are still things today that I learn on a weekly basis at live gigs, telling me what I need to work on. The difference today of course is that it's me who is being critical of myself, rather than other bandmates and musical directors telling me I suck!

And the neccessity of performing live is true of any musical genre you choose. Interacting with other musicians is an art in itself. I know technically great players who can't play with others. Does this make them great musicians? I'm not so sure. But they sure can get round the instrument. But if they were to do any amount of live ensemble playing they would have one or two knocks coming, and if they are smart they would work on those issues. Otherwise it's back to solo guitar playing in the back of their local restaurant. (A noble and valid thing to do, let me also say).

There are many issues that come up in a real live playing situation that just don't come up in a bedroom practice session. Time, time-feel, supportive ensemble playing, projection of sound and tone, and most of all a sense of energy and commitment within a performance that is extremely different, and is very difficult to even put into words frankly. You just need to experience it, and that experience will improve your playing tenfold.

So get out there and do some gigs. I know it is hard to make that happen sometimes, but if you cannot make it happen then start a rehearsal band with a few others and play through repertoire. Get together with other guitarists and play through tunes, take solos and take turns being supportive. As you improve, take the plunge and take yourself to the next level.

And by recommending you do all this I am by no means suggesting you put away your books, records and Jamie Abersold play alongs. Absolutely not. This is something of course you should continue to do. But it is only 50% of your musical makeup. I promise you, by performing live you will improve yourself as a guitar player, but most of all as a musician, and at the end of the day this is what we all need to aspire to.

Go to it and have fun!



Chris Standring is a recording artist and the owner of Play Jazz Guitar.com Visit the website for more info on his ground breaking home study guitar courses.

Article Source: http://EzineArticles.com/?expert=Chris_Standring

Barre Chord Learning Tips For Beginner Guitar Players

By Tom Fontana

Learning how to play barre chords (bar chords) is one of the most difficult tasks any beginner guitarist will encounter. Since lots of songs require the use of barre chords, it holds many people back from fulfilling their desire to learn the guitar properly, or even quit altogether.

The good news is that with enough practice and dedication, playing barre chords will become easy. All professional guitarists learned to play them, you can too. Next time you feel like these chords are holding you back, remember these tips.

* Check your thumb: You need to literally pinch the neck of the guitar between your thumb and index finger, which means your thumb needs to be smack in the middle of the back of the neck of the guitar exerting just enough pressure, to pinch the strings.
* Check your index finger: You need to place your index finger parallel with the fret wire, as close to it as possible. Also, make sure your finger is not just laying flat, but slightly rolled onto its side. A straight and rigid finger will not work.
* Check your wrist: The best way to hold bar chords is by moving your wrist forward, which allows your index finger to become flatter on the neck. Experiment with different wrist positions.
* Check your elbow: Your elbow needs to be closer to your body while you are holding bar chords, since this allows your index finger to be rolled onto its side.
* Check which strings you need to be holding: Your finger usually doesn't have to hold down every string for a bar chord. For example, an E shaped bar chord only requires you to hold down strings 1, 2 and 6 (the high E, B, and low E strings). Concentrating your index finger on holding only these strings, while your other fingers hold down the rest of the strings, will make this bar chord easier.
* Your hand will get tired, but it shouldn't get numb tired. If it does, you are holding down too hard, and not concentrating enough on the correct technique.
* Practice bar chords for 5 minutes every day: As you know, practice makes perfect. If you practice holding down bar chords for just a couple of minutes a day for 2 weeks straight, you will get 300% better.
* Watch famous guitarists: Looking at videos of pros will motivate you, and watching their hands will even give you pointers on how they are fretting the chords.

Remember that anybody can learn the guitar, it's just a bit difficult at first. Believe me when I tell you that all professionals struggled with bar chords as well, but they kept at it, and learned it. You can too!

If you want to read more on the correct technique and types of bar chords, or watch a video guitar lesson on bar chords, head on over to TheGuitarLesson.com, where your find dozens of quality beginner guitar lessons, useful guitar tools, and more.

Tom Fontana is a guitar teacher and musician. His passion for the guitar spanned relatively late, during high school, but has never stopped growing since. ... ...
Article Source: http://EzineArticles.com/?expert=Tom_Fontana

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How Much Theory Should a Guitar Player Know?

I personally believe that one should know the rules before they break them. Obviously it is not good to be overly analytical but it wouldn't be an entirely bad thing to look at music from an analytical perspective. In order to look at things from an analytical perspective, you need information to analyze. That's where music theory comes into play. So what I am about to present is not only a case for learning music theory but also what basic components of music theory you should, at a minimum, possess knowledge of.

It is important when you are playing along with a band that you have some idea as to what key you are playing in; especially if you are working on original material. You may be able to learn cover material from listening to a CD but it is also easier to pick up any song whether cover or original if you know music theory. Even more so if you know your way around the different keys.

There really isn't much of an excuse for not taking the time to obtain some knowledge in music theory. There are free sources of information all over the Internet. Probably the most basic, yet essential, information would be knowledge of the keys, chords and scales.

You should be familiar with the 12 major keys and their relative minors. Having an adequate understanding of the different keys will allow you to be able to transpose a song from one key into another. There are a number of times where I've transposed a song from one key to another simply because it was a better key for me to sing in. You may find that to be the case with a number of singers.

You should have an adequate chord vocabulary. There are also a few scales that every guitarist should be familiar with, like the major or diatonic scale as well as the harmonic minor scale and the pentatonic scale in both the major and minor modes.

If you don't want to spend the money on lessons or books, you should run an internet search for the information you want to obtain. I would first suggest you run a search for guitar chords listed by key. Check out a few sites to see which one offers the easiest approach for learning.

After you begin to learn the guitar chords by key, you should start learning scales. You should also run an internet search for guitar scales listed by key. You may be even more specific than that. For example: you can enter D harmonic minor and you will get a great number of results.

So, in conclusion, I hope that I have not only convinced you that learning music theory would be a valuable asset to your musicianship but that I have also set you off in the right direction towards doing so.

About the Author:
Bob Craypoe is a musician, writer, cartoonist, webmaster and entrepreneur who resides in Northern New Jersey. He is the creator of
Guitar4Blind.com (a site that teaches the visually impaired how to play guitar), as well as numerous other sites. You can hear his music at: http://www.craypoe.com/bob

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Watch for it

I am creating a new page to place all my new
musical toys and products
for sale online and adding it to my
rockymcdaniel.com site to make some
commissions . You can see it now at
http://funplayingmusic.com

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Happy 4th of July!

Time for firecrackers and watermelon and cook outs!

Yes, it's the 4th of July in the good 'ol USA again. try not to blow a finger off and

don't drive drunk. You might get popped by the law, or worse, kill yourself.

Stay cool my friends....BTW, does anybody out there have a pool I can use????

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Seven guitar tips

Guitar - 7 Tips to Help Improve Your Technique
By Joss Schuyler

In order for you learn how to play lead guitar you need to know that it not only takes some natural talent but you need to understand the theory and technique as well. There are plenty of people already playing lead guitar who wish to be the best that they can be. But for some people this is easier said than done. Below we offer a few tips that could help improve your playing lead guitar in the future.

Tip 1 - If you really want to become a great lead guitarist then you need to learn the basics of playing the instrument first. Although you may think that it is worth skipping the stuff that you consider to be boring then when it comes to playing the instrument will prove even more of a challenge.

Tip 2 - Although you may want to start playing the guitar stood up and jumping around it isn't the best way to learn this instrument. It is far easier if you practice your playing whilst sat in a comfortable chair. Along with you being more relaxed so retaining what you learn becomes easier but also you won't tire so quickly when practicing.

Tip 3 - You need to make sure that you discipline yourself to practice when you should. Therefore if you say you are going to spend 45 minutes each day on practice then don't decide to finish it 10 or 20 minutes before you should.

Tip 4 - It is a good idea to learn alternate picking rather than economy picking otherwise when it comes to learning more complex techniques or playing faster pieces will become more difficult. When we talk about alternate picking we are talking about you alternating when picking between the up and down strokes. Learning this not only becomes an automatic reflex but you find that you then are able to pick the strings a lot more quickly.

Tip 5 - Dedicate time to learning the various techniques for playing the lead guitar which means learning how to play bends, slides, vibratos, hammer ons, pull offs and the other tricks lead guitarist use. As well as making your guitar playing a lot more colorful they will help to make it more expressive.

Tip 6 - Whenever you want to learn how to play certain guitar solos the first thing you will need to learn is the scales that you will have to play repeatedly. The most popular scales that guitarists will learn are the E Blues and the pentatonic ones. Both of which can act as a framework to your playing and assist you in creating your own solo pieces of music as well.

Tip 7 - This final tip for playing lead guitar is the most important and is the one that says practice, practice, practice. The more you practice a piece then the more you will remember it and so over time it becomes much easier to play. It is best to start of learning each piece slowly and then to build up your speeds use a metronome.

To get a free guitar course, plus lots of tips for playing lead guitar like the legends and ideas for starting your own band, visit Lead Guitar Guide.

Article Source: http://EzineArticles.com/?expert=Joss_Schuyler

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Exposing the Secrets of Guitar Playing!

An Overview On Why Guitar Experts Selfishly Hide The Truth
By Melvin Fang

* The million dollar question: Is guitar expertise an inborn ability or acquired skill?

Well the answer can be derived if I ask you another question. Is walking an inborn ability or acquired skill? How did you think you learnt to walk when you were young? Its clear cut: Anybody can play the guitar! Given this simple but startling revelation, we still find players who think they are not cut out to play the 6-stringed ax. It certainly doesn't help that many experienced guitar players desperately try to distort the truths by saying things like," It's in the fingers!" "I don't know why, but I just go by feeling" "Practice, practice, practice!" Do you think these statements help at all for the learning and aspiring guitar player? Not at all. They merely dampen the spirits and make the poor guitarist feel untalented and unmotivated. Uninspired. This practice indeed, is an unfortunate situation for the poor chap who deserve a much better chance to join the league of guitar heroes, if only he knows what's going on.

Read in between the line. The answer to guitar playing expertise lies in the crux of this existing problem. Many guitar players are merely "illusionists" conjuring an image of great talent, when the truth is they have fumbled, stumbled and sweated pails of blood before they come to the land of glory. If you truly aspire to master the guitar, then let me reveal the 3 simple secrets of guitar playing to you.

* The Right Mindset That Playing Guitar Is An Acquired Skill & Not In-born Talent.

Just like learning to drive, to read, to talk. If you start with the wrong mindset, you'd never master the guitar. Do not allow yourself to be influenced otherwise about this. Especially from the "selfish" experts who desperately hope that you will forever remain inferior.

* Finding Your Success Role Model(s) To Replicate

There are many styles of guitar playing. Rock, heavy metal, jazz, blues. Which do you feel more inspired to learn? From here, find your ideal role model to emulate and replicate. Say if you like rock-blues, you can learn by listening frequency to Gary Moore, or if you prefer abstract virtuoso rock, you can go for Steve Vai. You need to be motivated by your role model(s) in order to trigger a response to do something about your playing.

* Knowledge Sharing Is The "Leveraged" Way To Improve

Try carrying a boulder rock by yourself. You will collapsed in a heap. Now, try lifting this boulder with a crane and you control the crane. Instantly you lift the boulder effortlessly. This is leverage. The only way to improve is by sharing with a group of players who think like you. You will improve together at a much faster and accelerated pace than you trying alone.

With these 3 simple tips to guitar playing, you will find that playing the guitar is indeed not as intimidating as what the selfish "experts" made them up to be. In life, never allow yourself to be bullied or intimidated by others. Prove to them that they are nothing if you seriously want to master the guitar! The next time they tell you to "practice harder", think this statement in your head "Just wait and see!!"

Melvin Fang is a professional guitar player with 10 years of playing experience and a professional performer who plays for gigs and teaches guitar. He is a firm believer that anybody can play the guitar if they know exactly how to do it. He is also an author of guitar playing instruction and technique guides. Log on to http://www.guitartradesecrets.com to receive a free Audio CD on how to be a guitar guru and a free guitar chord chart.

Gary Moore via last.fm

Article Source: http://EzineArticles.com/?expert=Melvin_Fang

Hot fixes for your guitar playing

Simple guitar playing tips can be the difference between a guitarist who improves everyday due to efficient practicing or someone who rarely gets better because they practice the wrong things or the right things the wrong way. Learning to play guitar can be a mine field so I have compiled a list of simple tips to help you while learning to play guitar.

Guitar playing tip 1:

Decide what kinds of things you want to be able to play. Many people never give this a thought, and so they kind of bumble through and learn the odd song/lick here and there, and after a few years they can play some guitar but they aren’t exactly the musician they imagined they would be. You can prevent this disappointment by having a clear objective beforehand.

Guitar playing tip 2:

Develop a regular practice schedule-even it’s practicing changing from a D chord to a G chord for ten minutes each day while you watch the evening news. If you can maintain some form of practice at the same time everyday it will be much easier to keep to it, and you will improve much faster than if you just practice when you can fit it in.

Guitar Playing Tip 3:

Get a metronome. Just about everything you ever play on guitar will sound a lot better if you work it with a metronome whilst you learn it. A metronome not only helps you learn to keep time, but it will also highlight any irregularities in your playing. Notes that are too short or too long or chord changes that aren’t perfect will stand out very clearly.

Guitar Playing Tip 4:

Play with other musicians. This will make you improve perhaps more than anything else. Something about the adrenaline coupled with the fact that you have to seriously concentrate on what other people are playing makes you improve like you won’t believe until you try it. It doesn’t have to be a full on band either, it could be just a buddy with and acoustic or even a harmonica!

Guitar Playing Tip 5:

Get to know your guitar. Do you know exactly what your guitar will sound like if you hit the strings very softly using just the middle pickup with the guitar volume at about 2.7? Well you should. Knowing stuff like this is one of the keys to being an excellent all round guitar player. There are few things as cool as seeing a guitarist switching from sound to sound for different licks using only the guitar and no pedals/footswitch.

There are so many different sides of guitar playing that these guitar playing tips could have easily numbered in the thousands, but obviously there isn’t space for that here so hopefully these five will do for now!

Click HERE to learn the secrets of the professionals and become a great guitar player in record time, including lots of guitar playing tips!
Is your guitar playing reaching it's full potential? Click here to find out how you can unlock your inner guitar genius!!

Steve Laney is the webmaster at http://www.dailyguitarlessons.com

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Thanks Steve for the article

What about motivation?

what about motivation?

What can you do to stay motivated as you practice on your guitar? How can you increase and maintain the joy of playing? Here are some tips on how to keep that joy that made you start playing the guitar in the first place!

What can you do before setting goals?

The reason why we don't keep our guitar playing goals might be that we haven't been honest with ourselves before the goal setting process.

Before actually setting goals you have to decide why you want to play guitar or want to be a better player. Make an honest survey of your assets and wishes in the area of guitar playing.

Your inner wishes will probably conquer your goals if they are not the same.

How to set goals

In order to set goals that you will actually work towards you might ask yourself:

Do I really want to accomplish these goals?

Will I really feel good when I reach my goals?

I guess you will agree with me that the only goals that are really meaningful are the ones that will take you in that direction that leads to a place you want to be at!

I think that a part of your guitar playing goals should be focused practicing melodies you want to play in front of other people.

One common reason for starting to play the guitar is to be able to play the pieces of music you like.

This means that as you learn to play guitar, a goal might be to learn a number of songs or melodies by heart so you can play them in any setting.

These songs or melodies are to be learned so well that you don't have to worry if you are asked to play.

One reason for having a repertoire with guitar pieces thoroughly rehearsed is that you can feel that you perform at the top of your ability when asked to play.

Remember, it should be guitar pieces you like to play.

If you do not like what you play you run the risk of memorizing these feelings together with the material you play.

When you practice a guitar piece you will memorize much more than the melody. At least these things will be memorized:

1. Hopefully the melody

2. Your attitude

3. Your level of body tension as you play

4. Your posture

5. The pressure you apply when pressing down the strings or holding your pick

If you like what you practice this joy will probably be transmitted to the audience when you perform.

In order to keep your motivation to practice on top and be able to stick with your guitar playing goals I suggest that you consider the following tips:

1. Ask yourself these questions to evaluate your future ability to stick with your goals:

Why do I want to be a better guitar player?

Is it because I like to play guitar?

Is it because I am "forced to"?

Is it because I want to impress my friends?

What things do I like to play on the guitar?

2. Set goals that take into consideration what motivated you to play in the first place. If you like strumming chords and sing your favorite songs your goals should probably be in that area.

3. Learn pieces that you feel good about and let other people listen to them and feel good too.

Peter Edvinsson at Capotasto Music invites you to download your free sheet music, guitar tabs, ebooks, music lessons and read his music blog at

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http://www.capotastomusic.com

How much should you practice?

Do you remember when you bought or got your first guitar? I'm guessing it wasn't uncommon to find you somewhere practicing for all hours of the day and night, and yet, depending on how long you have been learning to play your six string there's a chance that your instrument may be lying somewhere gathering dust.

What happened?

I find many guitar players either do not have set practice times, or are unsure of when to practice their guitar.

When a consistent practice schedule is not maintained it's easy to procrastinate and forget to practice your guitar. Next thing you know, you've entirely lost your musical momentum and wake up one morning realizing that you have not even played for weeks on end.

When practicing your guitar; a great time to learn is when you are either the most alert or the most creative. Self analyze your personal body rhythms so that you can get the most out of your practice times.

Alert Practicing Times

If you find that you are the most alert in the morning then set aside your practice times based on a morning schedule. I.e. chances are that Saturday mornings will work great for you especially if you are working early mornings during the week.

If you find that you are most alert in the evening then set aside your practice times based on an evening schedule. Just be aware of the time you practice in the evening so that you do not end up realizing that it's 3 a.m. in the morning and you have to be up at work in 3 hours.

During your alert time you can really concentrate on the super technical aspects of the guitar like improving your scale and chord speed.

Creative Practicing Times

Begin to recognize your most creative times when playing the guitar. For me, it's generally around the 9pm to 11:00 pm time. Effectively utilize your creative practice time for learning new songs, improvisation, song writing, guitar riffs, alternate tunings, and the list goes on.

In time, by consistently making time to practice; you're creative and alert practice times will propel you into another level of learning your guitar in a snap.

Do you want to learn more about how to play the guitar? I have just completed my free brand new report entitled "The 10 Myths of Learning Guitar." Download it free here: http://guitarinasnap.com

Jeremiah La Follette has been helping beginner guitar players to learn how to play guitar in a snap for over 15 years. With a passion to teach guitar, Jeremiah has helped beginner guitar players unlock the secrets of the guitar.

Article Source: http://EzineArticles.com/?expert=Jeremiah_La_Follette

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Thanks to Jeremiah for the use of his article

Welocme to my site

This is my new site to delve into guitar and equipment related
issues of fellow players out there. I will borrow relevant articles
from other sites and post them here and offer some free advice
to anyone who wants

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